In praise of Gaia and her many manifestations. Songs for download, rants and rhapsodies on everything from music to metaphysics

Entries for November, 2007

a song of pain and strangeness

Wednesday, November 28th, 2007

Here’s the thing; writing songs is therapy, for me. Singing them is something else again, but the act of writing helps me to purge and understand my pain while synthesizing it into a vehicle for pleasure and truth. It’s a kind of creative alchemy. Lately I’ve been going through some complexly emotional and turbulent times; this may be my strangest (and strongest) piece of songwriting yet. Oh, joy. Hooray for pain. Seriously.

Cactus Pillow on a Bed of Nails

In my one brain, I’m a pilgrim
In my other brain I’m a thief
In my other brain I’m a mother
crying out my grief

In my one brain I’m a genius
In my other brain I’m asleep
My other brain’s making promises
I don’t know how to keep

Chorus:
I been blinded by the light
I got wild wolves on my tail
I inherited a legacy of a
Cactus pillow on a bed of nails

I was born so naked
With cold hands on my skin
Flushed into a dark world
Of bright light and cruel grins

I was born so lonely
I did not know myself
I could not love my mama
or anybody else

Chorus:
I been running from the light
And from those wolves upon my trail
I been dreaming to forget about
the cactus pillow on a bed of nails

I dreamed into the ocean
I dreamed into the womb
I dreamed away my life as if
My body was a tomb

I got one foot on the future
And one finger in the past
My one brain wants forever
But my other brain’s fading fast

Chorus:
Now I’m turning to the light
To the sound of the wolves wild wail
And I wonder why I clung to my
Cactus pillow on a bed of nails

I been seven years married
I been seven years alone
I been seven years with my true love
But I never have been home

My one brain is a prisoner
My other brain has the key
My one brain says, I’m ready
My other brain says, I’m free

Coda:
This song is sung by wolves
This song is moving on
This song has got no ending
This song ….

this is me, changing

Sunday, November 18th, 2007

What does one say? In the aftermath, post-blossom and pre-crash, I feel bliss and a wish for more. To heap praises upon my own head is considered crass, yet praises were heaped and I would but repeat them. Ego and over-inflation of same is a problem in our world, one I have strained to avoid. I trained myself (as I was trained) to wait in shadowed corners, to applaud those standing brightly brandishing their wands in the spotlight, and I politely diverted attention inadvertently directed my way.

“Don’t notice me,” I’d state primly, virtuous in girlish modesty. “Don’t look, and don’t listen. I am no one. Look at HIM.” When I took the stage with others, it was them I sought to support, whose voices supplanted, superseded and defeated mine. Now, for the first time, I stand alone, and I have grown.

To stand in the light, to allow others to look at me, listen to me, notice me goes against every habit of my soul, yet these solo flights have ignited my flesh with fresh awakenings. At last, I believe that the shining eyes of those who receive must mean something. I am finally shedding my monstrously egotistical modesty (thinking myself special in being the one with nothing special to offer). At last, I acknowledge that I have a voice that gives pleasure, that enlightens, awakens, moves and soothes. At last, I believe.

I sang. I opened my mouth, shaped it around words and melodies graved so deeply I need not struggle to remember, and I let the wind blow through me. I grew. I filled with light and life, I smiled, I was (in the words of one present) “so charming.” This feedback disarms my cynical self-hater who sees nothing to admire in the mirror, which has slowly attenuated to a ghost, a wisp from past realities, losing credence and power. Now, I can stand on the ground and own my sound. I have a voice. This is what I do.

In short, I blew me away, that self which identifies with what others might think (as filtered through the judgments, self-shaming and belittling which has passed for ego, the the opposite and inverse of self-importance: self-negation). This doesn’t mean I’m suddenly a pillar of confidence, but I now have some ground to stand on. I’m still shy about initiating—(it takes a huge surge of motivation to compel me to attend an open mic)—but once there, newly centered confidence displaces the habitual shame.

Lyrics to my newest songs reflect a freshly-fledged sense of readiness: “I have a song, and I’m not afraid to sing it.” “I’m ready to become the one I really want to be.” “I have a choice, and this what I do.”

Alas, it is a sad statement on the state of my internal atmosphere that I actually feel ashamed of feeling good about no longer feeling bad about myself, and embarrassed about that. How convoluted, how twisted, how strange!

This is me, changing. This is me, learning who I am, accepting and transforming.

Glory hallefrigginlujah. And about time.

from hallowe’en to christmas, bearding god

Wednesday, November 7th, 2007

The leaves are as crisp underfoot as one might expect this time of year, and occasionally car windshields need be scraped in the morning, though not by me, thankfully. The household jobholder rises in the dark to embark on her daily trek to work, where tasks accumulate and must be repeated endlessly. There is a reason that is not me.

I tried it once. I had a job oh, twelve years ago or so, and I stood at bus stops in dark, frigid Edmonton winter mornings waiting for a bus that was always a few minutes late and too crowded for comfort. I wrote poetry on my commute and prayed for escape from the grind.

It’s not that I think I’m too good for honest labour. I like to work. It’s the early rising, the regular schedule and the long hours that kill me.

I have skills worth money that I’ve worked hard for many years developing. I want to practice them. My problem is marketing. It’s ridiculous for someone with my skills and talents to be wondering brokely when her next twenty bucks is going to come from. Marketing, marketing, marketing, marketing! Argh!

I stare at the screen meaning to start designing my brochure and promotional materials, my mind locked up, trapped in a vise of uncertainty. How to present myself? What words, what images will show me in a good light? How to avoid giving a wrong impression? Questions interlock like a steel mesh, answers all on the wrong side inaccessible to me.

There’s got to be a better way, or at least a way. A way will be shown soon, because it must, and that’s how it works.

That thankless straggler struggling in poverty who was me in the past didn’t deserve her fate anymore than any sufferer does. It was a tough cross to bear and I’m grateful to her (me) for bearing it with as much dignity and fortitude as she did, even granting the times she (I) melted into anguished puddles of despair. Those days are gone, and with sighs and relief I greet the new dawn of some other way as the power that has lain dormant in my backroom stirs to swelling shining life. This is me, being optimistic.

—————————

Moving into the juicy Halloween darkness, all witches and black cats and cauldrons, images that frighten in a fun way like twiggy broomsticks arrayed in ragged silhouette across the face of the moon. Samhain ghosts are friendly, or we pretend them so, dressing little children as ghouls and stuffing them with so much candy it makes them ill.

There’s a meaning in that message and no need to look deep to find it. Listen to the dry whispers of the leaves rustling, the voices that hint at shadowy knowledge that we almost know, and tell me the secrets in the wind.

Well, now we’re into November, and that strange wind of discontent blows hard on the heels of Christmas, already creeping into the shopping malls and radio stations of the nation. It’s insidious, the commercial jingle-jangle tangle of dread and anticipation. This year, I fear, I shall be left to my own devices to deal with my Christmas craziness that recurs every year. I lose it, I forget who I am, I gape in expectation of some kind of magic that always almost happens, and I cry, oh yes, tears of sentiment, of grief and relief and unidentifiable confused emotion flow freely.

This year, the question is, where should I be for Christmas? With my beloved who is now someone else’s lover? Despite my open heart which is mostly okay with an unusual situation, at times like this my enlightenment recedes into myth while fear, hurt, insecurity, jealousy, betrayal and all those beautiful human stirrings recur to stick like burrs to the roof of my brain.

Should I spend Christmas with my children, now admirable adults who see me as someone who once meant something but now exists mainly in the shadows of their past? Unless, of course, I scratch on the glass for admittance as I did last year?

Or should I simply stay here and face my fears? Questions, and questions, and answers changing hourly.

And always the truth, that ever-sought and rarely-achieved carrot bobbing ahead, leaving its crazy trail which I follow with mixed results. One piece of truth, named, leaves a dozen lies, unnamed. Is there a way to say it without omitting essential bits whose absence alters the evoked image in crucial ways?

The language I use is limited and so is the time I may devote to the unfolding of the tale. Still, I must worship at truth’s altar, however broken and incomplete my efforts. The resulting word salads and collages may confuse, but I am compelled to include all that I can under truth’s umbrella.

I love, I hate, I fear, and I accept. I grieve, I am relieved, I embrace, and I forget. All these emotions are present at once in any given moment or situation. The emotions are not wrong, nor are the situations which evoke them, and I need not judge either or attempt to change or manipulate reality in any way.

The river flows, I am a dancer, it is the music which moves me, and my movement affects the flow which in turn affects me. The symphonic synchronicity of life is infinite, and miracles are merely how it is supposed to work.

I love my hate. I fear my grief. I grieve my forgetfulness. I hate my love. I fear my hate. I accept my hate of love. I embrace my fear of hate. The infinite fractal convolutions and combinations of self, the revolving and evolving emotional interconnections weaving me ever more firmly into the fabric of all existence, able to be it all, feel it all, accept and embrace the pain, the pleasure, the exalted transcendence of perfect union, that so-fleeting moment of eternity that recurs just often enough to remind me that it is, until I forget to remember again.

This is what happens when I embrace darkness, torment, possessiveness and pain. The shell of the egg cracks which feels like my heart breaking, then light floods into every cranny of self. There is a purpose, I insist, a meaning, a pattern behind this complicated chaotic order, but there is no designer with blueprints and plans in hand.

It happened, just as my own complicated and purposeful flesh happened. I am the consciousness that embodies and contains all that exists inside my skin, but I did not design me. Neither did any One stand outside the universe to direct its austere bearded attention toward the vast task of fitting tab A into slot B, crafting reality to fit its specs.

Notice, I am not saying there is no God. I exist relative to my body. God exists, relative to the universe. But God is not separate from the Whole (as God would have had to be in order to design or create it); God IS the Whole. And I’m almost certain She doesn’t wear a beard.

in the aftermath

Tuesday, November 6th, 2007

Shocked by reaction, she sat
The moment fraught with tension and what-next
Awaiting the dropping of what might
Be a shoe or worst-case, an axe
Depending on the ground she stands on
Is it quaking or is it the
Air in her face shaking her
Making her create tales
About the situation, story’s telling
Swelling the truth into something
Frightening and unreal
Feel the moment, those shoulders
Ought not to carry boulders
And dropping them should be a blessing
Not only to yourself but to the young
Ones on the shelf waiting a place
To stand, when the rocks land

Around you, on the ground of being
Resounds clear into the ethers
Of past, future and whatever
Your bits and pieces coalescing from
Where they languish in potential
Remain deferential to yourself
But do not fail to embellish with
Soft sweet snuggles directed your way
From your own heart’s remembering
This is not an experiment, you
Are not a failed result nor can you
Be redone. Undo your shoes if they
Separate you from the dewy ground
And hear the sound of your own
Feet falling. Calling for help implies
That help is required, but this is not
true anymore.